Bach-to-Bach: An Exploration of Bach’s Keyboard Partitas Arranged for Double Reeds

Bach-to-Bach: An Exploration of Bach’s Keyboard Partitas Arranged for Double Reeds

This presentation features an exploration and side-by-side comparison of J.S. Bach’s Keyboard Partitas Nos. 1, 3, and 4 (BWV 825, 827, and 828), arranged by Dr. Lydia Consilvio for double reed quartet: two oboes, English horn, and bassoon. These inventive arrangements offer a fresh perspective on Bach’s keyboard works, illuminating the intricate counterpoint and expressive depth of the original compositions. By redistributing the voices among four distinct instruments, the clarity of Bach’s contrapuntal writing is enhanced, revealing inner lines and textures that can be obscured on the harpsichord. The use of winds also introduces dynamic shaping possibilities not available on the original instrument, resulting in new and compelling sonorities that highlight the enduring brilliance of Bach’s music.

Performers